1. Why and how to study the body. Methodological Introduction

Source n 1
Taken from the book “Painted Bodies: African Body Painting, Tattoos and Scarification” by Carol Beckwith & Angela Fisher (2012), the photo shows a maasai woman preparing to ceremony called Eunoto. It’s traditional attitude to paint face and body with a red fresh ocher.

Masai woman painting her face Taken from “Painted Bodies: African Body Painting, Tattoos and Scarification”
by Carol Beckwith & Angela Fisher Published: 2012 Rizzoli
http://www.corriere.it/gallery/ambiente/08-2012/paint-bodies/01/fotogallery-corriere-sera_122c388

(03/09/2014)

buda

Source n 2
Copper engraving of Pocahontas by Simon van de Passe. The caption reads "Matoaks als Rebecka daughter to the mighty Prince Powhâtan Emperour of Attanoughkomouck als Virginia converted and baptized in the Christian faith, and wife to the wor.ff Mr. Joh Rolff”. The inscription under the portrait reads “At the age of 21 in the year 1616." This is a Pocahontas’s portrait made by a contemporary painter. The Powhatan Navive American woman is portrayed in western dressing, showing her assimilation to English culture. Born around 1595, she’s known for her involvement with English colonial settlement at Jamestown, in Virginia. In a well-known historical anecdote, she saved the life of Englishman John Smith by placing her head upon his own at the moment of his execution. Pocahontas later became Christian and married a colonist changing her name to Rebecca Rolfe and her traditional dress for western style. In this case, clothes are a significant marker of religious conversion and cultural assimilation.

Pocahontas portrait Simon van de Passe (1616) © Trustees of the British Museum, London.
http://www.britishmuseum.org/join_in/using_digital_images/using_digital_images.aspx