- Hvem er Gabriel?
- Hvem er ”budbringeren”?
- Hvorfor skal muslimer vaske deres hænder rituelt, inden de beder?
- Hvem er tatarerne?
- Hvilke prøvelser har de gået gennem? Hvornår?
- Hvordan er deres situation, efter de er vendt tilbage til Krim?
- Hvilket væsentligt problem er tilknyttet moskéerne på Krim?
- Beskriv den ældste moské i Simferopol, den Hvide Moské. Er det en al-jumuah moské (’fredagsmoské’)? Hvilken funktion har den type moské? Hvad kaldes det høje tårn, der rejser sig over bygningen? Med hvilket formål er det bygget?

8. The mosque: the sacredness of the space and the multitude of functions – For teachers
The origin of the mosque as both a distinctive space and a structure is linked to religious restrictions and to the Muslim conquest. The small communities of conquerors, united by the new faith and immersed within populations of different religions, prayed in these mosques, where they listened to the "reciters of the Revelation" and the exhortations to conquer in the name of Allah.
Sacredness is the essential dimension of the mosque, an enclosed space separate from the profane world. This attribute is expressed through the Arabic term haram, which means something that is both prohibited and separate. Before Islam, the term designated the reserved enclaves around sanctuaries or wells. This area was protected from violence. In the Tradition, haram indicates any holy place of Islam, with the three sacred mosques at the top. The important haram(s) are all located in the Land of the "Two Qibla-s", Arabia with Mecca and Medina, and Palestine (Jerusalem).
The mosque is the place for the "abandonment of the self" and the glorification of a Transcendent God in a sacred space, guided by the qibla (the direction of Mecca, "Qibla of the universe", Quran 3-90), a focal point toward which are turned the body and the spirit of the worshipping believers. After the hegira, the first qibla was established by Muhammad in the direction of the "sacred Temple" of Jerusalem and then toward Mecca after the violent break in relations with the Jewish tribes of Medina. Etymologically speaking, the term masjid is the place of prostration to complete an act of worship. It is first a place of prayer. According to a hadith: "The whole earth is a mosque". Every place of prayer is a masjid. Mosques can be found in different sizes, designs and aspects: small oratories in neighbourhoods and private or public prayer rooms, considered mosques after the moment of completion of canonical prayers.
The sacredness of the place is conferred by the behaviour and by the ritual of separation from the profane world: women cover themselves and all the faithful perform ablutions and remove their shoes before entering. Sometimes, the sacralisation of the place is connected to the presence of relics, the body of a saint or even precious objects, Qurans and poems, such as those by sheikh Amadou Bamba in a small mosque in Touba, Senegal.
Muslims had to "invent" the mosque. Nothing in the Quran had dictated an architectural model. The term "mosque" is often found in the Book, but it does not refer to any specific type of architecture. The mosque was designed based on the design of the home, the Dar, an enclosed and built space and frame encompassing a court and housing area. Muslims turned the house of the Prophet in Madinah into the archetype of the mosque. This private space was redesigned according to the historic and cultural context, while respecting the tradition of the enclosed space of the home and its social role: the mosque is a djami' (that brings together), a place for praying, preaching and studying. Several elements (decoration, architecture, materials, etc.) were borrowed to fulfil the needs of a new community united by the same Law.
There are no ritual objects that are required for the practice of worship. Islam did not generate a liturgical art, but it brought together certain "strong" elements: the minaret, a symbol of faith and power, and a symbolic and decorative element that appears under the Omayyads, and especially the mihrab or the facilities for performing the ablutions.
In pre-Islamic literature, the mihrab had the meaning of “hollow” or "niche". The mihrab is a void in contrast to the niche of a synagogue, which houses the ark of the Law and the five scrolls of the Torah. As a visual marker, it indicates the direction of the qiblah, but the first mosques did not have a mihrab. The great Sufi Ibn 'Arabi (who died in 1240) defined the qibla as a marker which helps reach the Sakinah, peace, serenity and the manifestation of divine presence. The mihrab is the gate leading to the light, " God guides to His light whom He pleases.” (Quran 24,35). In the mystical vocabulary, the niche also symbolizes the cave, which hides the heavenly reality which will be unveiled to the initiate.
Some authors attribute a commemorative function to the mihrab. It was a "hollow mold with the presence of the Prophet". The first mihrab was built under the Omayyads during the reconstruction of the Madinah mosque (707-709) as a remembrance of the place where Muhammad stood to pray and preach. It also had the function of a "gold Book" whose inscriptions were connected to the profession of faith, the message, the Prophet’s mission and the uniqueness of God. There were also Quranic verses on light and blessings in honour of the sponsor.
Introduction to religious traditions | Introduktion til Islam 2: Temaer
8. Moskéen: rummets hellighed og mangfoldige funktioner
Den store fredagsmoské (al-jumuah), de berømte gravmoskéer, universitetsmoskéerne al-Azhar i Kairo og Qarawiyyin i Fez, soukernes (’markeder’) moskéer og moskéer der definerer diverse byområder – det være sig prestigiøse bygninger eller beskedne bedesale – moskéen er et emblem for den muslimske religion, både i lande, hvor Islam er flertallets religion, og i de muslimske samfund i diasporaen, hvor den findes i form af bedesale eller, mere sjældent, i regulære moskéer med minareter. Hvorfra får disse religiøse rum deres hellighed? Hvilke steder i moskéen udfører muslimer gudsdyrkende handlinger? Findes der et konsekvent, arkitektonisk design? Eller er der visse uomgængelige aspekter i rummets indretning?
Gabriels budskab ifølge al-Tabari:
While Gabriel was here, he told the Prophet: “Ask for water, for me to teach you ablutions, that is to say how to wash your hands, and for me to teach you prayer, that is to say how you should worship Allah.” The Prophet requested some water, and Gabriel showed him how to wash his hands, and showed him how to pray.
Al-Tabari, Ta’rikh al-rusul wa-l-muluk (’The History of the Prophets and Kings’), kap. III, 68.
Gabriels budskab ifølge ibn Ishaq:
When the first ablution was imposed to the Messenger, Gabriel came to him while he was on the heights of Mecca, and dug a hole with his heel on the side of the valley, where a fountain arose; Gabriel practiced ritual ablution for the Messenger to see him. He wanted to show him how to purify himself before prayer. Then the Messenger practiced ritual ablution the way Gabriel just did it. Gabriel then prayed with the Messenger at the same time he was praying.
Ibn Ishaq, Sirat Rasul Allah (’The Life of the Prophet’); redigeret af ibn Hashim
Koranen artikulerer påbuddet om bøn som en form for tilbedelse. Den kanoniske bøn salat (Islams anden søjle) udføres i overensstemmelse med et ritual, som Gabriel lærte profeten. Bøn er et obligatorisk ritual, en måde hvorpå man tjener Gud og som tilkommer Ham, foreskrevet af traditionen og kodificeret i loven. Det må udføres i en tilstand af rituel renhed.
Moskéen i Kairouans mihrab
http://www.qantara-med.org/qantara4/public/show_video.php?vi_id=48
(19/12/2014)
Mihrab, i al sin storslåethed som i Cordoba eller i mere beskedne udformninger, er den vigtigste arkitektoniske innovation med hensyn til store moskéers religiøse kunst. Mihrab i den store moské i Kairouan er på grund af sine dimensioner (mere end fire meter høj) og sin pragt (udsmykket med udhugget marmor, keramik og metal fra 800-tallet) en majestætisk niche. En halvkuppel af træ er anbragt over dens øverste del. Den har desuden indskrifter med kufisk skrift samt vers og velsignelser fra Koranen. Den store moské i Kairouan har haft indflydelse på udformningen af moskéer i Maghreb. Den udgjorde centrum for udbredelsen af maliki (se Islam 1, side 7) og var et vigtigt sted for undervisning i sunni-religiøse videnskaber, ligesom al-Azhar i Kairo.
Kebir-Dzharmi moskéen i Simferopol, Krim
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Moskéen kan også være udtryk for et erindringens sted samt genskabelsen af en etnisk identitet, sådan som tilfældet er med den Hvide Moské i Simferopol, det moderne navn for byen, der blev grundlagt af tatarer på Krim. Dens krimtatariske navn er Aqmescit, hvilket betyder den ’Hvide Moské’. Tatarerne var en tyrkisktalende sunni-minoritet på Krim (de udgjorde 12% af befolkningen), hvor de i 1400-tallet grundlagde et khanat (’rige regeret af en khan’). Efter Ruslands annektering af Krim blev de ofre for zarernes russificeringspolitik samt Stalins centralasiatiske deporteringer i 1944, en kollektiv afstraffelse af tatarerne, der blev beskyldt for at have hjulpet den tyske hær. I 1967 blev de rehabiliteret, og flere end 125.000 vendte tilbage til Krim, efter Ukraine opnåede selvstændighed i 1991.
Den ældste moské i den krimske hovedstad er Kebir-Dzharmi (navnet skrives også Kebir Jaamia og Kebir Jami), bygget tidligt i 1500-tallet. Tatarerne fik den tilbage i 1989, hvorpå de genopbyggede den, men mange historiske moskéer er ikke på samme måde blevet returneret til dem, for hvem de har betydning. Slimane Zeghidour er kommentator på fransk TV5 Monde samt forsker ved Institut de relations internationales et stratégiques (IRIS).
Slimane Zeghidours beskrivelse:
Interview foretaget af Slimane Zeghidour, gengivet i Le Point 20.05.2014. Oversat af Renaud Rochette.
Interview of Slimane Zeghidour, reported in Le Point 20/05/2014. Trans. Renaud Rochette
Moskéen kan også være udtryk for et erindringens sted samt genskabelsen af en etnisk identitet, sådan som tilfældet er med den Hvide Moské i Simferopol, det moderne navn for byen, der blev grundlagt af tatarer på Krim. Dens krimtatariske navn er Aqmescit, hvilket betyder den ’Hvide Moské’. Tatarerne var en tyrkisktalende sunni-minoritet på Krim (de udgjorde 12% af befolkningen), hvor de i 1400-tallet grundlagde et khanat (’rige regeret af en khan’). Efter Ruslands annektering af Krim blev de ofre for zarernes russificeringspolitik samt Stalins centralasiatiske deporteringer i 1944, en kollektiv afstraffelse af tatarerne, der blev beskyldt for at have hjulpet den tyske hær. I 1967 blev de rehabiliteret, og flere end 125.000 vendte tilbage til Krim, efter Ukraine opnåede selvstændighed i 1991.
Den ældste moské i den krimske hovedstad er Kebir-Dzharmi (navnet skrives også Kebir Jaamia og Kebir Jami), bygget tidligt i 1500-tallet. Tatarerne fik den tilbage i 1989, hvorpå de genopbyggede den, men mange historiske moskéer er ikke på samme måde blevet returneret til dem, for hvem de har betydning. Slimane Zeghidour er kommentator på fransk TV5 Monde samt forsker ved Institut de relations internationales et stratégiques (IRIS).